Celebrating Women's History Month

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A Black Women's History of the United States is a critical survey of black women's complicated legacy in America, as it takes into account their exploitation and victimization as well as their undeniable and substantial contributions to the country since its inception--

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Eleven unique short stories that stretch from a rural Canadian Mennonite town to a hipster gay bar in Brooklyn, featuring young trans women stumbling through loss, sex, harassment, and love. These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

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As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power--which groups have it and which do not. In this book, Isabel Wilkerson gives us a portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings. Beyond race, class, or other factors, there is a powerful caste system that influences people's lives and behavior and the nation's fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people--including Martin Luther King, Jr., baseball's Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others--she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity. Beautifully written, original, and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of America life today.--Provided by the publisher

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A mesmerizing debut set against the backdrop of the devastating violence of 1990's Colombia about a sheltered young girl and a teenage maid who strike an unlikely friendship that threatens to undo them both. Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways. But Petrona's unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls' families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal. Inspired by the author's own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricable coming-of-age stories. In lush prose, Rojas Contreras sheds light on the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation

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Like many six-year-olds, Mira Jacob's half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she's gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love. Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation--and to the hope that hovers in our most difficult questions--

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Uprooted from their family home in the Dominican Republic, the four García sisters - Carla, Sandra, Yolanda, and Sofía - arrive in New York City in 1960 to find a life far different from the genteel existence of maids, manicures, and extended family they left behind. What they have lost - and what they find - is revealed in the fifteen interconnected stories that comprise this exquisite first novel. Just as it is a feature of the immigrant experience to always be looking back, the novel begins with thirty-nine-year-old Yolanda's return to the Island in Antojos (Cravings) and moves magically backward in time to the final days before the exile that is to transform the girls' lives. Along the way we witness their headlong plunge into the American mainstream, but although the girls try to distance themselves from the Island by ironing their hair, forgetting their Spanish, and meeting boys unchaperoned, they remain forever caught between the old world and the new. With bright humor and rare insight, Julia Alvarez vividly evokes the tensions and joys of belonging to two distinct cultures in a novel that is utterly authentic and full of irrepressible spirit. --

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An intimate graphic memoir about an American girl growing up with her Egyptian father's new family, forging unexpected bonds and navigating adolescence in an unfamiliar country--from the award-winning author of I Was Their American Dream. It's hard enough to figure out boys, beauty, and being cool when you're young, but even harder when you're in a country where you don't understand the language, culture, or social norms. Nine-year-old Malaka Gharib arrives in Egypt for her annual summer vacation abroad and assumes it'll be just like every other vacation she's spent at her dad's place in Cairo. But her father shares news that changes everything: He has remarried. Over the next fifteen years, as she visits her father's growing family summer after summer, Malaka must reevaluate her place in his life. All that on top of maintaining her coolness! Malaka doesn't feel like she fits in when she visits her dad-she sticks out in Egypt and doesn't look anything like her fair-haired half siblings. But she adapts. She learns that Nirvana isn't as cool as Nancy Ajram, that there's nothing better than a Fanta and a melon-mint hookah, and that her new stepmother, Hala, isn't so different from Malaka herself. It Won't Always Be Like This is a touching time capsule of Gharib's childhood memories--each summer a fleeting moment in time--and a powerful reflection on identity, relationships, values, family, and what happens when it all collides.--

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Imagine a world where a little boy can grow up to be the woman of his dreams, and a young girl can rise to become a leader among men. Welcome to Kumu Hina's Hawai'i. During a momentous year in her life in modern Honolulu, Hina Wong-Kalu, a native Hawaiian māhū, or transgender, teacher uses traditional culture to inspire a student to claim her place as leader of the school's all-male hula troupe. But despite her success as a teacher, Hina longs for love and a committed relationship. Will her marriage to a headstrong Tongan man fulfill her dreams? An incredible docu-drama that unfolds like a narrative film, KUMU HINA reveals a side of Hawai'i rarely seen on screen.

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Jahren has built three laboratories in which she's studied trees, flowers, seeds, and soil. She tells about her childhood in rural Minnesota with an uncompromising mother and a father who encouraged hours of play in his classroom's labs; about how she found a sanctuary in science, and the disappointments, triumphs and exhilarating discoveries of scientific work. Yet at the core of this book is the story of a relationship Jahren forged with Bill, who becomes her lab partner and best friend. Their sometimes rogue adventures in science take them over the Atlantic to the ever-light skies of the North Pole and to tropical Hawaii, where she and her lab currently make their home--Publisher's description.

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After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemi Taboada heads to High Place, a distant house in the Mexican countryside. She's not sure what she will find--her cousin's husband, a handsome Englishman, is a stranger, and Noemi knows little about the region. Noemi is also an unlikely rescuer: She's a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she's also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemi; and not even of the house itself, which begins to invade Noemi's dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he seems to want to help Noemi, but might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemi digs deeper she unearths stories of violence and madness.

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Jojo and his toddler sister, Kayla, live with their grandparents, Mam and Pop, and the occasional presence of their drug-addicted mother, Leonie, on a farm on the Gulf Coast of Mississippi. Leonie is simultaneously tormented and comforted by visions of her dead brother, which only come to her when she's high. Mam is dying of cancer; and quiet, steady Pop tries to run the household and teach Jojo how to be a man. When the white father of Leonie's children is released from prison, she packs her kids and a friend into her car and sets out across the state for Parchman farm, the Mississippi State Penitentiary, on a journey rife with danger and promise.

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Small Beauty tells the story of Mei, who in coping with the death of her cousin abandons her life in the city to live in his now empty house in a small town. There she connects with his history as well as her own, learns about her aunt's long-term secret relationship, and reflects on the trans women she left behind. The novel explores the protagonists's transness, but it also tenderly, yet bitterly unpacks her experiences as a mixed race person of Chinese descent, cycles of death and loss, and queer and intergenerational community.--Page of 4 cover.

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A spellbinding debut novel about the trailblazing Iranian poet Forugh Farrokhzad, who defied society's expectations to find her voice and her destiny. Remember the flight, for the bird is mortal. All through her childhood in Tehran, Forugh Farrokhzad is told that Persian daughters should be quiet and modest. She is taught only to obey, but she always finds ways to rebel, gossiping with her sister among the fragrant roses of her mother's walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. During the summer of 1950, Forugh's passion for poetry takes flight, and tradition seeks to clip her wings. Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh's poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules, at enormous cost. But the power of her writing only grows stronger amid the upheaval of the Iranian revolution. Inspired by Forugh Farrokhzad's verse, letters, films, and interviews, and including original translations of her poems, this haunting novel uses the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran, and who continues to inspire generations of women around the world.--

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From Birth to Death is a scholarly monograph based on years of field work in Mongolia as well as original research in Asia, Europe and North America. It is an original and detailed ethnography of tea practices, female power and gendered meaning in Mongolia. It is also a welcome addition to the field by an African scholar of distinction who is one of the few Black African researchers in Central Asia. This work makes two major contributions to the field of Mongolian studies and anthropology. This is a first detailed ethnography of tea practices in Mongolia, a country that does not produce tea and yet is a major tea consumer. The book tells the story of what people do with tea in Mongolia. The second contribution of this work is the description of female power and gendered meanings as the experience connected to tea practices. Female power is the experience of impacting on other people's acts from a gendered position of power. Through tea practices, which are ascribed to women, women construct gendered meanings that are a contribution to the cultural system in Mongolia. For a society that is predominantly described as patriarchal, this work brings to shore the experience of a female world of meanings different from the rest and yet that stands in complementarity with it.--Publisher's website.

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The Color Purple is the story of two sisters -- one a missionary to Africa and the other a child wife living in the South -- who remain loyal to one another across time, distance, and silence. Beautifully imagined and deeply compassionate, this classic American literature is rich with passion, pain, inspiration, and an indomitable love of life--Cover.

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Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams--invasive images of blood and brutality--torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It's a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law, and her sister each fight to reassert their control, Yeong-hye obsessively defends the choice that's become sacred to her. Soon their attempts turn desperate, subjecting first her mind, then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her but also from herself.--Jacket.

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Unequal Sisters has become a beloved and classic reader in American Women's History, providing an unparalleled resource for understanding women's history in the United States today. First published in 1990, the book revolutionized the field with its broad multicultural approach, emphasizing feminist perspectives on race, ethnicity, region, and sexuality and covering the colonial period to the present day. Now in its fifth edition, the book presents an even wider variety of women's experiences. This new edition explores the connections between the past and the present and highlights analyses of queerness, trans-gender identity, disability, women and technology, the rise of the carceral state and the bureaucratization and militarization of migration. There is also more coverage of indigenous, Pacific Islander, and Caribbean women, particularly in relation to 20th century activism. This classic work has incorporated the feedback of end-users in the field, to make it the most user-friendly version to date and will be of interest to students and scholars of Women's history, gender and sexuality studies, and the history of race and ethnicity--

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Historian Martha Jones offers a sweeping history of African American women's political lives in America, recounting how they fought for, won, and used the right to the ballot and how they fought against both racism and sexism. She excavates the lives and work of Black women who, although in many cases suffragists, were never single-issue activists. She recounts the lives of Maria Stewart, the first American woman to speak about politics before a mixed audience of men and women; African Methodist Episcopal preacher Jarena Lee; Reconstruction-era advocate for female suffrage Frances Ellen Watkins Harper; Boston abolitionist, religious leader, and women's club organizer Eliza Ann Gardner; and others who were pioneers for both gender and racial equality. Revealing the ways Black women remained independent in their ideas and their organization, Jones shows how Black women were again and again the American vanguard of women's rights, setting the pace in the quest for justice and collective liberation--

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In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millenia-old tradition of Japanese folktales-shapeshifting wives and foxes, magical trees and wells-and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them. A busybody aunt who disapproves of hair removal; a pair of door-to-door saleswomen hawking portable lanterns; a cheerful lover who visits every night to take a luxurious bath; a silent house-caller who babysits and cleans while a single mother is out working. Where the Wild Ladies Are is populated by these and many other spirited women-who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive feminine passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.--

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In this manifesto, biologist and transsexual woman Julia Serano reveals the ways that fear, contempt, and dismissiveness toward femininity shape societal attitudes about trans women, gender, and sexuality as a whole.

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This explosive book of history and cultural criticism argues that white feminism has been a weapon of white supremacy and patriarchy deployed against black and indigenous women and all colonized women. It offers a long-overdue validation of the experiences of women of color. Taking us from the slave era--when white women fought in court to keep 'ownership' of their slaves--through the centuries of colonialism--when they offered a soft face for brutal tactics-- to the modern workplace, White Tears/Brown Scars tells the story of white women's active participation in campaigns of oppression. Examining subjects as varied as The Hunger Games, Alexandria Ocasio-Cortez, the viral BBQ Becky video, and nineteenth-century lynchings of Mexicans in the American Southwest, Ruby Hamad builds a powerful argument about the entrenched systems of white supremacy that we are socialized within, a reality that we must apprehend in order to fight. -- Publisher's description

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Sharp-eyed, witty, passionate and just, a lament for trans losses that is also somehow a celebration of life--Page 4 of cover.

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How did women contribute to the rise of the Mongol Empire while Mongol men were conquering Eurasia? This book positions women in their rightful place in the otherwise well-known story of Chinggis Khan (commonly known as Genghis Khan) and his conquests and empire. Examining the best known women of Mongol society, such as Chinggis Khan's mother, Ho'elun, and senior wife, Borte, as well as those who were less famous but equally influential, including his daughters and his conquered wives, we see the systematic and essential participation of women in empire, politics and war. Anne F. Broadbridge also proposes a new vision of Chinggis Khan's well-known atomized army by situating his daughters and their husbands at the heart of his army reforms, looks at women's key roles in Mongol politics and succession, and charts the ways the descendants of Chinggis Khan's daughters dominated the Khanates that emerged after the breakup of the Empire in the 1260s--